In the Riesenfeld Center, one of the most interesting small archives is the Woodart Collection, consisting of eleven documents related to the remarkable life of Anna Petronella Woodart. Born into slavery in 18th-century Jamaica, Woodart was manumitted in 1756 by her father, a wealthy English plantation owner, and named in his will as his only natural daughter and sole heir to his fortune. In 1760 and 1762, Anna was granted full English rights and privileges in Jamaica and England, and was soon married, at about age seventeen, to an English merchant named James Williams, an arrangement that likely was made by her guardians and the estate's trustees. Anna had several children with James and appeared to live comfortably, in part due to an annual income from the estate. The Woodart collection sheds important light on the terms of Anna's marriage, she and her husband's property and her father's (and uncle's) estates. But much is still unknown about her life and children, even the places of her residence, some of which may come to light with additional research.
Several weeks ago, attendees from UMN's Center for Premodern Studies (CPS) and the University Libraries visited the Riesenfeld Center for a discussion of the Woodart Collection, as part of CPS's workshop series, "Interrogating Archives." The archive raised interesting questions for the participants regarding Anna's family and children and the still unknown information about her life. It also raised important questions about Anna's freedom and legal agency, since she was part of a family property strategy and one that led to Anna and her husband becoming the owners of enslaved people, creating a complex and difficult legacy. The Woodart Collection has also been used by several scholars and referenced in publications, including an article by Brooke Newman and a book by Daniel Livesay. We hope that the good discussion will be a stimulus to further work and reflection, not least because interesting parts of Anna's story are yet to be told. Many thanks to the workshop's participants for their comments and to my colleague Sophia Daley for co-hosting the archives session.
- Ryan Greenwood, Curator of Rare Books and Special Collections





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